A sensitive mic with a wide, flat response ideal for live amplified and acoustic instruments.
Extremely well-suited for reproduction of stringed instruments, woodwinds and cymbals
AA battery or phantom powerThis must be provided to all condenser microphones in order for them to operate.Read moreGo to the glossary
Internal shock mount
Wide dynamic rangeThis is the difference between the queitest and loudest sound that a mic can pick up.Read moreGo to the glossary
Smooth, flat frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary
Uniform CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.Read moreGo to the glossarycondenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.Read moreGo to the glossary
Frequency responseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.: 40 to 16,000 Hz
Transducer TypeA transducer converts sound into an electrical signal. The two most common types are dynamic and condenser.Read moreGo to the glossary : CondenserCondenser microphones are more sensitive, give a smooth, natural sound and need to be powered.
Polar PatternPolar pattern describes how well the microphone hears sound from different directions.Read moreGo to the glossary: CardioidPicks up most sound in front of the microphone and some from the sides. It is less susceptible to feedback in high volume environments.
Frequency ResponseThis is the range of frequencies, from the lowest to the highest, that a mic can pick up.Read moreGo to the glossary: 40 Hz - 16 kHz
SensitivityThis is how mich signal a microphone produces for a given amount of sound.Read moreGo to the glossary (1 kHz): -49,0 dBV/Pa / 3,5 mV/Pa
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: 40 to 16,000 Hz
